
“I built this work through repeated layers of red, allowing earlier gestures to remain visible beneath the final surface.”

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Artist's Note
“This work began with fragments of remembered architecture. I layered color, erased sections, and rebuilt the surface until the painting felt less like a place I had seen and more like a place I had carried.”
Marina Volkov on the process, material tension, and personal history behind Urban Abstraction No. 7.
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A quiet selection shaped by the artists, mediums, and collections you choose to explore.
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Featured Collection
Sophie Mercier
Twenty-four works examining cultivated landscapes, private memory, and the tension between stillness and change.
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Unknown does not mean unseen. ARTyre presents developing practices with the same dignity afforded to established careers.

Naomi Osei
Abstract painter · Detroit
“I use color as a record of movement, migration, and the spaces we carry with us.”

“I built this work through repeated layers of red, allowing earlier gestures to remain visible beneath the final surface.”

“The graphite marks trace imagined routes between memory, migration, and the cities that reshape us.”
A studio visit with sculptor James Okafor on process, uncertainty, and why unfinished surfaces remain central to his practice.
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Career
Jobs, grants, residencies, commissions, teaching, and public-art opportunities—curated to help artists keep creating.



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